Another Phobia
As previously mentioned, I am not a fan of tight spaces. Low ceilings, caves, small openings, and even
getting tangled in my blankets unnerves me (see “Hidden Beauty” from March 2012). Equally as worrisome to me is
acrophobia. I have attempted on multiple
occasions to overcome this affliction, including skydiving, but nonetheless,
being at an extreme open height scares the dickens out of me. I have been to the top of the Willis Tower
(formerly the Sears Tower) and I found the view inspiring and the distance
above the earth perfectly safe, yet a balcony on a low-story hotel makes me uneasy.
When crossing the Rio Grande River west of
Taos, New Mexico, I worried about the possibility of my camera falling to its
demise, but fretted for my own security any time a truck would pass and the
entire span would bounce. As a child me
parents took freakish delight in my apprehension about crossing the suspension
bridge transversing Royal Gorge, more than a thousand feet above the Arkansas
River in central Colorado. In my humble
opinion, bridges should not allow anyone crossing it to peer between wooden
slats that make up the crossing surface and view the jagged earth beneath
it. Bridges should be solid structures,
with high sides preventing any confusion about which side I and my personal
property belong and securely shall remain.
Crossing The Rubicon (And The Bridge Over It)
There comes a time when fear must be conquered, when it is time to
face the nemesis of our mind, or in my case, the extremely physical barrier
between an open bridge and the possibility of what may or may not be my demise
beneath it. The time to embrace my
phobia came with a simple logic, “Did I come all this way to see this and then
I am not going to enjoy it simply because it terrifies me?” In the past, I might have easily answered my
own question affirmatively, but here in the Kootenai National Forest, stretched
across the identically named river and its cascading waterfalls, also so named,
no one would know if I braved the crossing or merely looked at the scenery from
the safety of the river’s bank. The only
way to know if I successfully cross this narrow, shaky span would be if I
document the moment and prove I am embracing my inner crazy.
As I approach, a young couple who appears far less concerned about the height and stability of the
crossing receives a warm invitation to precede me across the bridge. With only a few narrow boards of width, should
I abandon the safe harbor of the river bank out towards its center, the two
would have no ability to return to their starting point if I hesitate in my
journey from the left bank to the right.
I eventually release my grip and venture out beyond a secure distance,
so if they do reappear, I must rush forward or retreat. As I progress on my uneasy crossing, I find
my eagerness barely nudging me ahead, yet off they go, leaving the span
bouncing over the cold rapids, and me to face my phobia. I know somewhere inside I have the courage to
ease my way away from the bank’s safe edge, and I eventually swallow and walk
boldly to the center without stopping.
The young couple have long since left me alone on the wooden planks and
I reach into my pocket and withdraw my camera (its strap clasped tightly around
my wrist) to document and prove to the world what I have already proven to
myself: I triumph over acrophobia.
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